
Originally Posted by
jayce
Yes, it would be; there are more efficient ways to move characters about than larding your prose with a lot of GPS instructions. That said, you have to give the reader a transitional phrase or sentence to prepare him for the shift. How exactly is up to you, the writer. (That's an important function of editing: to read your ms from the eye of a reader who doesn't know what you the writer knows. It's a skill you should develop if it doesn't come naturally.)
In your piece, your first few paragraphs are set in the convenience store (John is correct in this). Then you have a transitional line, but perhaps it could go a tad further. Here's what you wrote:
I somehow managed to score the next couple days off, which only meant one thing: cheap vodka and cigars.
That clearly indicates a jump in time and setting. If you had added something like, "meant one thing: cheap vodka, cigars, and time alone in my room", you would have taken the reader into a different time and place (and satisfied John's pedantic definitions).
Moving characters around quickly and smoothly (I call it "staging", as in a play) is difficult because it's hard work to make it seem invisible. When you clutter it up (yes, you got it right) with a lot of he walked down the street and opened the door to the building and climbed the steps to his apartment, it becomes intrusive and boring.